A damaged U-boat is stranded in a Canadian bay in the early years of World War II. The Fanatical Nazi captain and his crew must reach the neutral United States or be captured. Along the way they meet a variety of characters each with their own views on the war and nationalism. In this film Michael Powell and Emeric Pressburger show their ideas of why the United States should join the Allied fight

In a small English village during World War II, a girl, an army sergeant and a G.I. expose a foolish magistrate, in this charming tale from the writing-directing team of Michael Powell and Emeric Pressburger.

Richard Cutter isn't like most insurance investigators. Instead of being equipped with actuarial tables, he's armed with a handgun and a dismissive wit. "Why do you carry a gun?" asks the exec hiring him to probe a case of multimillion-dollar insurance fraud. "It's more effective than a hammer," Cutter replies. Patrick O'Neal brings unshakeable sangfroid to the role of Cutter in this zigzag tale of corporate cover-up and death that's less Bond-like in its pacing ...

When a man discovers his wife is having an affair, he commits the perfect crime.

This classic British WWII drama tells the story of a bomber crew forced to bail out of their stricken aircraft over occupied Holland. With the help of the Dutch resistance the airmen are hidden from the Germans and a plan is devised to smuggle them across Holland and back to the North Sea coast from where they will be able to make their escape back to England.

Richard Widmark plays a hardened cold-war warrior and captain of the American destroyer USS Bedford. Sidney Poitier is a reporter given permission to interview the captain during a routine patrol. Poitier gets more than he bargained for when the Bedford discovers a Soviet sub in the depths and the captain begins a relentless pursuit, pushing his crew, and the on-screen tension, to breaking point in this chilling cold-war tale of cat and mouse.

A crazed killer known as "The Spinebreaker" is terrorizing London with a series of grisly murders.

Now old, ill, poor, and largely forgotten, William Freise-Greene was once very different. As young and handsome William Green he changed his name to include his first wife's so that it sounded more impressive for the photographic portrait work he was so good at. But he was also an inventor and his search for a way to project moving pictures became an obsession that ultimately changed the life of all those he loved.

Two lookalike boys, one a poor street kid and the other a prince, exchange places to see what the other's life is like.